Born in London in 1986, Tamsin Waley-Cohen enjoys an adventurous and varied career. In addition to concerts with the Royal Philharmonic, London Philharmonic and BBC orchestras, amongst others, she has been associate artist with the Orchestra of the Swan and works with conductors including Andrew Litton and Tamás Vásáry. She enjoys a duo partnership with Huw Watkins, whose Concertino she premiered, and together they have recorded for Champs Hill and Signum Records, for whom she is a Signum Classics Artist. With her sister, composer Freya Waley-Cohen, and architects Finbarr O’Dempsey and Andrew Skulina, she holds an Open Space residency at Aldeburgh. Her love of chamber music led her to start the Honeymead Festival, now in its ninth year, and she is also artistic director of the Sunday Series at London’s Tricycle Theatre. In 2016-2017 she will be a recipient of the ECHO Rising Stars Awards. She studied at the Royal College of Music and her teachers included Itzhak Rashkovsky, Ruggiero Ricci, and András Keller.

The Czech Philharmonic gave its first concert – an all Dvořák programme which included the world première of his Biblical Songs, Nos. 1-5 conducted by the composer himself - in the famed Rudolfinum Hall on 4 January 1896. Acknowledged for its definitive interpretations of Czech composers, whose music the Czech Philharmonic has championed since its formation, the Orchestra is also recognised for the special relationship it has to the music of Brahms and Tchaikovsky - friends of Dvořák - and to Mahler, who gave the world première of his Symphony No. 7 with the Orchestra in 1908.
Throughout the Orchestra’s history, two features have remained at its core: its championing of Czech composers and its belief in music’s power to change lives. Defined from its inauguration as ‘an organisation for the enhancement of musical art in Prague, and a pension organisation for the members of the National Theatre Orchestra in Prague, its widows and orphans’, the proceeds from the four concerts that it performed each year helped to support members of the orchestra who could no longer play and the immediate family of deceased musicians.
The philosophy continues today, and is equally vibrant. In addition to a Orchestral Academy, a comprehensive education strategy engages with more than 400 schools bringing all ages to the Rudolfinum – some travelling as many as four hours - to hear concerts and participate in masterclasses. An inspirational music and song programme for the extensive Romany communities within the Czech Republic and Slovakia has helped many socially excluded families to find a voice.
Mahler was not the first and only non-Czech composer to conduct the Czech Philharmonic. Edward Grieg conducted the Orchestra in 1906; Stravinsky performed his Capriccio for Piano and Orchestra under Václav Talich in 1930; Leonard Bernstein conducted the European première of Aaron Copland’s Symphony No. 3 at the Prague Spring in 1947; Arthur Honegger conducted a concert of his own music in 1949; Darius Milhaud gave the première of his Music for Prague at the Prague Spring Festival in 1966; and, in 1996, Krzysztof Penderecki conducted the première of his Concerto for Clarinet and Chamber Orchestra.
Their names are joined by the many luminaries who have collaborated with the Orchestra over the years: Martha Argerich, Claudio Arrau, Evgeny Kissin, Erich Kleiber, Leonid Kogan, Erich Leinsdorf, Lovro von Matačić, Ivan Moravec, Yevgeny Mravinsky, David Oistrakh, Antonio Pedrotti, Sviatoslav Richter, Mstislav Rostropovich, Gennady Roszhdestvensky, Wolfgang Sawallisch, Wolfgang Schneiderhan, Georg Szell, Henryk Szeryng, Bruno Walter and Alexander Zemlinsky.